I wasn’t quite sure what to expect from Anamanaguchi when
they played live at the quaintly named Tammany Hall as part of the New Music
Seminar (NMS) presented by eMusic. In my head, I pictured a bunch of “gamers”
getting up to towering parallel Nintendo stacks, while dramatically holding the
classic black, red and gray controllers for showmanship, before launching into
classic tunes from their first album Dawn
Metropolis. Then, I remembered, the band plays actual instruments as well. Quite
well, actually.
For those that haven’t heard the band, their brand of music
is typically referred to as “chiptune,” which in the case of Anamanaguchi means
they derive synthesizer sounds from 1980’s era Nintendo gear, giving their
music a driving eerily nostalgic cadence. They mix in live drumming, bass and
electric guitar for a melting pot of nerdy goodness.
While the show didn’t feature any singing, as all the songs
are instrumental, there was a projector featuring images of anything from
Nintendo folklore to furry little kittens. The band looks; exactly how you
think they would look, donning Mickey Mouse shirts, bed head hair and stage
banter dry enough to brittle a leaking waterbed. For instance, when they came
out as the special guest for the eMusic showcase, they proclaimed, “we’re the
Beatles from New York City.”
I guess if you classify them as the Beatles of chiptune,
they were accurate on both accounts.
The succinct set gave head bobbers, jumping thrashers, IPA
sippers and nostalgic nerds alike everything one could ask for.
The opening acts were alums of the eMusic Selects program,
whose mission is to find and spotlight new up-and-coming bands, Yellow Dogs and
Hooray for Earth.
Yellow Dogs opened the night with a furious, danceable set
that featured a keyboard player that looked like an Iranian John Oates and an overall
sound that stuck out, much like how I would imagine the Bad Brains did during
the punk hey-day of the 80’s in DC. Worldly in context and bouncy in
vernacular, their music comes with a fun anecdote. The band was formed in Tehran, where rock music is illegal. They
played under constant threat of arrest and punishment until they left the
country, moving to Brooklyn in 2007.
It’s certainly a story one
can rally around, if not the uprising spirit and riot act their infectious
sound brings to the landscape.
Hooray for Earth was a throw
everything, AND the kitchen sink at the audience act. There didn’t seem to be a
moment when the band wasn’t flexing their sonic muscles to force the audience
on their heels with the sheer physics of rock waves. I didn’t walk away from
their set with any hooks in mind, but they held an entertaining presence and
are a band to keep an eye on.
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